Addicted To Vinyl Musical thoughts from the open road, with headphones on

10Jul/140

Live From The Cleveland Agora…

Cleveland_AgoraIt's Tuesday afternoon and I'm minutes away from phoning Matthew Sweet for an interview when I happen to hit Twitter on my phone and see a breaking story that Hank LoConti, longtime owner of the Cleveland Agora has just passed away at age 85.

The news hit me like a ton of bricks because Hank was always a guy who was so full of life that it was hard to imagine that he could actually be gone. He was someone that when you met him, you would be surprised to find out how old he was, because he always looked at least a decade younger than he actually was. And yet he had been sick, battling lymphoma for some time, which I was not aware of.

There are plenty of great stories and tributes that have popped up in the past day offering a proper remembrance of LoConti and what it was that he was all about.  For me as a music fan who ended up living in Cleveland, it's hard to even begin to collect the thoughts of all of the many different ways that the Cleveland Agora has made an impact in my life. There were plenty of shows, of course, with my first visit to the Agora happening in November of 1992 to see the Spin Doctors. Say what you will about the Spin Doctors, they were a hell of a band beyond the radio singles and their live performances during that time period were great.

My next trip to the Agora was a free show (!!!) with Brian May of Queen who played a headlining gig at the venue supporting his first solo album Back To The Light. Having missed out on the chance to see Queen back in the day, it was huge getting a chance to see Brian play guitar in such an up close setting, with Cozy Powell on drums, to boot.

As my concert attendance really started to ramp up in 1993, I would spend a lot of time at the Agora starting the following year, first with a gig from Joe Satriani, then Sarah McLachlan (Fumbling Towards Ecstasy Tour), Rollins Band with Therapy, Pretenders (a special "small hall" hometown gig on the Last Of The Independents tour that quickly sold out), Joe Cocker (right after he played Woodstock 94), Crowded House (Together Alone tour, with Sheryl Crow opening), The Smithereens and so many more.

1994 was really the beginning of my music collection coming to life in front of my eyes (something which I was reminded of recently when talking with Journey's Neal Schon, when he talked about his feeling that the reason that today's kids want to see their favorite bands live is that "they don't quite believe that it's real unless they're looking at it.")  and I had been to enough gigs by that point to know that if I had the chance to see one of my favorite bands play a club like the Agora, that was where it was really at -- with the chance to get up close and personal with some of the bands that I had spent a lot of time listening to by that point.

There was an experience that came with seeing a show at a true rock club like the Agora that you just didn't get in the same way by attending an arena gig. Sure, I had seen some amazing shows at Richfield Coliseum in that same time period (Peter Gabriel, Aerosmith, Eric Clapton), but having a chance to compare the two, there was no question that the more intimate gigs were better, which is why it was such a thrill to get a chance to see bands and artists like Pretenders, Joe Cocker and Brian May -- folks who I knew had usually been playing bigger places prior to that -- in a place the size of the Cleveland Agora.

To cut to the chase, Hank LoConti was the guy who was driving all of this. He was the man behind the Cleveland Agora, a rock institution that had been around for a long time at that point -- I didn't know the specifics at that time, but when you walked into that place, you could tell that it was a building that had a lot of history. As folks will be quick to point out, the current Cleveland Agora at 5000 Euclid Avenue is not the original location -- which burned down in the mid-'80s, but the Euclid Avenue location, was certainly a worthy successor to the original, housed in a building that had its own important history.

Over the years, I started to unpack the history of the original building as a fan, listening to the various famous concert broadcasts that had been done by WMMS, most of which were from the '70s and '80s. Everybody's got their personal favorite list and many of them can tell you stories about being at the gigs -- since I moved here in 1989, I missed out on that part of things, but the tapes that were left behind certainly tell plenty of great stories. There is of course, the famous Springsteen Agora gig from 1978, a special broadcast celebrating the 10th anniversary of WMMS.

Elvis Costello's 1977 performance is another favorite and when I saw Costello just a few weeks ago, playing a solo show here in town, he had fond memories of playing the Agora, calling it a "smoke-filled den of sin," adding that "sometimes you find true love in a place like that." Costello isn't alone in his memories -- it's a frequent occurrence to hear the legacy acts offer their memories of their first gigs in Cleveland at the Agora -- while performing at Gund Arena on the All You Can't Leave Behind tour in May of 2001, Bono offered his own recollections of an early U2 gig at the Agora.

Bryan Adams played a show at the Agora in 1982 and he would be back for another gig barely a year later in 1983. Both shows were broadcast by WMMS (with the 1982 gig getting a national broadcast via the King Biscuit Flower Hour) and it's interesting to compare the two performances and hear how much Adams had progressed in such a short amount of time. The 1983 performance, which was mixed by Bob Clearmountain, is an unbelievable show from Adams that sounds like a professional live album -- it would make great bonus material for an expanded reissue of the Cuts Like A Knife album someday.

The Police, AC/DC, Bon Jovi....nearly anybody you might want to name off, they all played the Agora at some  point. Thankfully, there are so many of those concert memories that have been preserved because they were broadcast.

The Agora is approaching its 50th anniversary and I'm happy that after some rough years, the venue seems to be back on solid ground or at the very least, in a better place. They're back booking a regular schedule of shows again and the shows seem to be doing well. As someone who grew up with the Agora at a time that they had a consistent schedule of shows that made it possible for you to go see live music at the club on nearly any night of the week (and with so much great variety to choose from in those days, too), it means a lot to see the Agora alive again.

As the years went by, I had the chance on a number of occasions to stop and talk with Hank. The first time, I had been sent to the Agora to pick something up. Not knowing Hank, I figured it would be a quick stop to grab what I was supposed to pick up and then I'd be on my way. I ended up being there for a couple of hours, sitting in Hank's office, hearing amazing stories of past Agora shows. That would be the case every time that I stopped by.

He was a walking piece of Cleveland musical history, one of several key leaders who helped to build the Cleveland concert scene as we know it today and he has continuously been one of the people working tirelessly through the years to help maintain it, never afraid to fight for necessary changes. He certainly leaves behind one hell of a legacy.  I have no doubt that we'll continue to see that legacy grow in the years to come and hopefully part of that will come in the form of proper releases on audio and video for some of the shows that he was really proud of.

15Feb/080

A heads up for Police fans

A story, and then a heads up for you all. I was lucky enough to see The Police twice last year. Once here in Cleveland, and then again about a month later at the Virgin Festival in Baltimore.

Message In A Bottle (live in Rio)

For the show here in Cleveland, I paid top dollar for the 200 dollar seats, which is something I reserve these days for the absolute best of the best. As a music fan that missed seeing The Police back in the day (I was too young,) I had long ago written off the chance of ever seeing the band live. I had been lucky enough to see Sting solo a few years back, and got the chance to meet him before the show. That whole experience was worth its weight in gold, and Sting delivered a grade A+ performance that hit all the marks that I could have hoped for. It was as close as I was going to get to seeing The Police, and I was okay with it. I had finally seen a show via Sting that filled that gap in my concert going adventures.

Hence, I was totally stoked when the long rumored Police reunion tour took shape, and I took away a number of things from the show that I saw here in Cleveland. As much of a fan as I was, I had really never paid that much attention to Andy Summers as a guitar player. That was the shocker of it all - when I saw the Police show, I actually enjoyed watching Summers and Stewart Copeland more than I did Sting. Summers whipped off some wicked licks for a 64 year old guy, and if Copeland was in it for the check, well he certainly went for every dollar of that check very passionately on both performances that I saw. Copeland was an absolute monster behind the kit. My complete review of the gig can be found right here.

Over all, this reunion for me has had the impact that a Led Zeppelin reunion would have on many others. Just like the solo show that I saw from Sting, the tickets were pricey, but The Police delivered the goods.

The band is back on the road this year, and will be coming as close as Columbus and Detroit, and I'm leaning towards hitting up the Detroit date, because it would be pretty cool to see the band at the former Pine Knob (now DTE Energy Music Center.)

As gung ho as I am about seeing the band again, it seems that there are people that aren't making plans for a return Police visit. I read this with interest on the latest dispatch from Bob Lefsetz:

Hey Bob,

I was just going to trash this email having de-activated my Police.com account but I knew that the email I sent to them in response would not get a reply so I thought I would share it with you guys instead.

Millions of people like me joined ThePolice.com at a hundred bucks a pop to get the "best seats in the house" for their local Police reunion tour concerts. (The website was originally titled thepolicetour.com before they realized they’d have to change the name to keep raking in the cash after the band got off the road). The "limited edition" poster they sent out to everyone as gravy was an unremarkable shot of the band circa 1977, which fairminded folks put straight up on ebay to claw back a few dollars and a shred of their dignity.

But get this…in the email they sent me, they were informing that they were about to AUTOMATICALLY RE-CHARGE MY CREDIT CARD the $100 renewal for another year’s membership!

So here’s what I wrote in response:

Dear Thepolice.com,


I just received my membership renewal email. It is blatantly clear to me that you are attempting to automatically renew peoples’ accounts because you know that no-one in their right mind would fall for this scam twice, and you’re trying to dip your hand in our pockets one last time.


I joined your website to get GOOD seats to my local Police concert. I bought my tickets THE MINUTE they went on sale and the seats were half-way back in the arena. Surely, SURELY the fan club ticket allocation should have been, all things being equal, the best seats in the house. Of course, keep the front three rows of the arena for competition winners and the band’s family, friends and hangers-on, but beyond that, the people running these shows and this website should have made sure that the people who were big enough fans to drop $100 ON TOP OF the $225 tickets should be front and centre.


You have made millions of dollars with the scam of a website and I am delighted to finally be rid of you. I used to love The Police, but my memories of them will forever be tainted by this huge money-grabbing fiasco they have endorsed with their once-good name.


I don’t expect a response to this email as I suspect that right about now your mailbox is being flooded with emails just like this one.


Goodbye, and good riddance.

Luke

Ouch!