Oates, I forgot how soft your hands were….
Written by: Matt Wardlaw
We're just as excited as everybody else about the pending public reunion of J-Stache and John Oates, set to occur live onstage at the American Mustache Institute's annual Stache Bash happening on October 30th in St. Louis. Presumably, Oates will be there to promote the brand new super-bad ass Hall & Oates box set Do What You Want, Be What You Are - The Music of Daryl Hall & John Oates.
Fingers are currently crossed hoping that in fact, Mr. Oates might be re-growing that famous 'stache we all knew and loved so much, in honor of the Stache Bash appearance. Or perhaps if we are lucky, Oates mighta frozen that famous 'stache, Han Solo style - which of course means that it is almost certainly perfectly preserved, frozen in carbonite since 1993 and ready for action.
UPDATE: The legendary Oates 'stache is BACK!
We received the following video dispatch from J-Stache - please note that this video contains lots of NSFW language - view with caution:
Good Listening: Hall and Oates – Live in Chicago (1983)
Written by: Matt Wardlaw

This is what we call an encore performance.
Longtime readers of the site will recall that we've featured some Hall and Oates shows here in the past that were pretty awesome. Because Hall and Oates were/still are pretty awesome.
But in 1983, they were kings of the pop music world.
CommentsRemembering John Hughes
Written by: Matt Wardlaw

I'll offer apologies in advance for the tardiness of this particular item, with a slight bit of reasoning and explanation for the lateness to follow later in this piece. As a child of the 80s, I've spent quite a few moments deep in thought since John Hughes passed away. When Hughes passed, I had plenty of thoughts, but I was in the midst of a typically busy week that wouldn't allow time for me to properly stop down to get my thoughts out there.
And where do you begin?
CommentsCage Match: Heart vs. The Bangles
Written by: Matt Wardlaw

On Saturday morning, we're packing up the ATV concert mobile for what might end up being the final road trip of the summer.
Destination: The Illinois State Fair in Springfield, IL
Possible Food & Grub While We're There: D & J Cafe, which captured the hearts of many in Springfield as the "best place to grab weekend breakfast." Since we're going there over the weekend, it sounds like we're going to have to hit this one up. Also, I'd like to hit Fritz's Wagon Wheel Restaurant, which allegedly is THE joint to grab some fried chicken in those parts.
I just checked with my arteries, and it seems that there is still room for at least a few pieces of Fritz's best cluck-cluck-yum before the ol' heart shuts down for a short vacation. As long as we're doing permanent cholesterol-related damage, there will also be some munching of fried veggies at the fair, and perhaps a funnel cake too.
It's been nice knowing you.
What about shopping? You can bet your ass I am going to try to pack in a record store visit while I'm in Springfield. Recycled Records looks like the place to be, with one minor issue: They're apparently closed on most Sundays. Fingers are crossed that perhaps they might deem the Illinois State Fair as a worthy reason to open up on Sunday.
Entertainment: Heart and The Bangles are performing on Saturday night at the Illinois State Fair.
Hell yeah. Say it with me one more time, HELL YEAH.
Heart guitarist Nancy Wilson is one of the most underrated guitar players in the classic rock genre (in our opinion.) She also remains one of the foxiest looking women of rock and roll, in addition to being married to Cameron Crowe. We love Cameron, and dude, now that we think about it, we're sorry for looking at your wife like that. Damn, I feel bad about that.
Susanna Hoffs. Oh man. Also pretty damn hot, especially when she's wearing those fishnets accessorized with that cool ass Rickenbacker that she plays. That Rickenbacker is nearly twice as big as Susanna is, but she totally rocks it like the female version of Iron Man.
I'm not even sure what that means. I should probably mention that Susanna is married to Jay Roach, director of the franchise of Austin Powers films, and like Cameron Crowe, Roach is a film dude with great taste in women.
Heart and The Bangles are two of my favorite groups of the 80s, and I've seen both within the past couple of years. Both groups are still rock solid live performers, and this show has potential to be one of my favorite double bills of the summer.
For today's Cage Match, we'll put Heart up against those Bangles ladies, choosing a popular ballad from each. Both were #1 charting Billboard singles.
The question for you is simple: Which one is your favorite?
P.S. - How about a live performance of "Eternal Flame?" We found THREE of 'em!
You're welcome.
Watch 'em here, here, and here.
CommentsFavor: Need a scan of The Breakfast Club LP cover
Written by: Matt Wardlaw
Alright kids,
The subject line pretty much covers it, but here's the deal - I've got a buddy that needs a hi-res scan of The Breakfast Club soundtrack artwork, from the original LP version.
Anyone out there with a vinyl copy of this one? Looking for a scan at 300 DPI or better.
Email me here, and we'll make it worth your while.
Thanks!
UPDATE: We got it! Thanks so much!

New Music: Attractive Eighties Women
Written by: Matt Wardlaw
C'mon, with a name like that, you know I had to put up a quick post about these guys, er, I mean, girls.
Was there anything hotter than 80s chicks?
Looking at this picture, I'm starting to think that the answer might be yes.

AEW are a group of well known celebrity hotties from the 80's. The band formed on a crisp autumn day in 2005 when the girls got together for an impromptu jam session in Atlanta, Ga. Things went so well, the quintet decided to form a band. Their goal? To entertain the masses with their unique brand of comedy-core music while raising breast cancer awareness.
The band has been featured on the Adult Swim ratings-smash Frisky Dingo. Their ode to LARPing, "Lightning Bolt", was prominently featured in the show and on adultswim.com, winning them critical acclaim, college radio airplay and many new fans both in the U.S. and overseas.
They're about to release their first full length studio album, The Ancient Cry of the Tyrannosaur, which will be out on August 29th.

Check out a tune:
Attractive Eighties Women - Surfing or AIDS (I'll Take Surfing)
The above tune comes from the same group of girls that previously brought you great tunes like "Gonna Kill Myself (Because of You,)" "Mama's on Meth," and my personal favorite, "She Made My Heart Walk The Plank."
Here's what the critics have to say about AEW, or as I plan to call them from this point, A-Dub. Yes, I know that doesn't make any sense:
Five of Atlanta's best performers...a near-perfect party band
- Southeast Performer
Gutbustingly funny .... a Sloppy mix of Southern rock and the Replacements
- Georgia Music
Inventive performances, a unique sound that begs for its own genre
- The Silver Tongue
Those of you that are without plans tonight, suddenly have five new shots at not going home alone. You can thank your pals at Addicted to Vinyl, for hooking you up with authentic Attractive Eighties Women.
You're welcome.
CommentsStuff People Buy: Olivia Newton-John
Written by: Matt Wardlaw
It's dirty secret reveal time here at ATV:
Actually, we might have talked about this before, but my brain is currently frozen from the lemon ice I just ate towards the end of the work day. We're about to say goodbye to our summer interns (hooray!) as we approach the end of summer, and our great bosses had the most excellent idea yesterday to hire one of those old-fashioned ice cream trucks to come by the office. It was pretty much the best day ever.
Until today. You've probably noticed the Amazon product links that pop up from time to time within the various blog posts here on ATV. Now here's the dirty little secret: When you purchase anything from Amazon, if the purchase click originates from one of our links, we make money!
For example, let's say that you click on the link for a Bruce Hornsby CD, and then actually purchase a copy of Reign In Blood by Slayer, ATV still wins!
We've made $4.41 in referral fees so far this month, so as much as I love my day job, I'm thinking that it's about time to go put in notice, because I think I've accumulated enough scratch to purchase a couple of chili-cheese burgers from Rally's.
Now we have arrived at the point of this post:
It's not the ATV recommended purchases that grab our eye, when we're looking through the reports, it is the items that are off the beaten path a bit, the ones that we didn't suggest, that are fun.
For example: I was all set to make fun of the purchase of Captivating: Unveiling The Mystery of a Woman's Soul, but then I realized a couple of things.
1. I actually want to go behind that curtain. Will I find answers that I don't already get by reading Narm's blog? Does Mel's post on 10 Really Stupid Things about Women cover it all, or do I still need to know more?
related question: did I just lose all of my female readership with parts of this question?
I thought about that for a second (Why hell-o, sly reference to The Men,) and then moved on to the next thing on my mind as I pondered making fun of the book:
2. Problem: I found out that the above book is actually Cleveland Bachelor's selection for our next book to read for book club. I can't knock CB's choice, because if I do, he'll start making fun of the stuff I post here on ATV.
So I kept looking at the report, and the perfect topic for today hit me right in the face, almost as if I had been punched in the face by a chick, actually.

Can you even believe that? We've talked about this before, but suddenly I had a new topic for a blog post that was a gift from God himself, way up there in the heavens. For one moment, he had stopped thinking about finding another sleazy club owner to send to Cleveland, and instead, thought about how he could help this little blog out.
Thanks God.
I wasn't even aware that this piece of video history was available for purchase!
First, let's look at the product description:
Olivia Newton-John dazzles the crowd with her high-energy performance live at Weber State University (Utah) October 12-13 1982, including such memorable hits as Xanadu, Physical, Deeper than the Night, and I Honestly Love You. A must have DVD for Olivia Newton-John fans everywhere! TRACKS: 1) Deeper than the Night; 2) Let Me Be There; 3) Please Mister Please; 4) If You Love Me, Let Me Know; 5) Jolene; 6) Sam; 7) Xanadu;
Magic; 9) Suddenly; 10) A Little More Love; 11) Silvery Rain; 12) Falling; 13) Heart Attack; 14) Make a Move on Me; 15) Hopelessly Devoted to You; 16) You're the One that I Wanted; 17) Physical; 18) I Honestly Love You. ++++ DVD FEATURES: This officially licensed release from South Korea is NTSC Code 0 (will play worldwide) with 4:3 Full Screen display, both DTS 5.1 Surround Sound and Dolby Digital 5.1 Surround Sound in ENGLISH with optional (removable) English or Korean subtitles.
Man, I am ordering this DVD today! Be forewarned, when this baby shows up, I will be blasting "Xanadu" at top volume with the Korean subtitles turned up really loud. Can you turn up subtitles? Never mind.
Let's look at a few reviews of this puppy. First, let's find the inevitable "this really sucks" review, and oh yeah, here it is!
This DVD ended up being a BOOTLEG and had a horrible picture and NO sound!!! Beware of this seller - I got ripped off!
Now that we've got that out of the way, let's get to some serious fan reviews. And by "serious fan reviews," I actually mean reviews from fans that might be as obsessive, or slightly more obsessive than Duran Duran fans. I won't link the DD post - you all know the one I'm talking about now.
Bill sez:
this is my #2 newton-john dvd. #1 is xanadu. this dvd was of a college campus performance, and therefore not up to the recording standards of b spears las vegas concert. but it is newton-john of xanadu and greease time-frame.
Keep this in mind folks - if it was recorded live at a college campus, it sucks. But also remember, that we're talking about Olivia Newton-John of "Greease time-frame."
Now, let's check out some trivia about this particular performance, courtesy of William:
An interesting side note is that Olivia was on a national tour and the stop in Ogden Utah was not long after most of the radio stations in Salt Lake City had banned "Lets Get Physical." Part of the opening sequence of the show projected newspaper headlines about the ban on a giant walk through screen. When she stepped through that scene her fans showed the stations what they thought of the record ban and cheered her on.
Yeah man, you should have seen the moment when future Chart Attack king Jason Hare and his fellow ONJ worshippers stood up to give the hot pink headband wearing Jazzercise doin' number one salute to those radio stations. It was a moment that until now, hasn't ever been recreated. But on Friday in fact, many of those very same people will pay tribute to this special night described above, by attending a 2009 concert performance by 80s heartthrob Jack Wagner.
Fun fact: Dude has Heather Locklear staying at his house. Respect.
William goes on to reveal some technical specifications about this DVD:
Be aware that this is a Korean produced DVD and the quality is not as good as it could be. One reviewer commented on the sound reflecting the acoustic quality of the 80's. Actually I think the quality of the sound is more of a manufacturing issue than the live recording. This concert recording was done by Home Box Office and shown on their cable network soon after the concert. The sound was great in that version. Too bad they don't release a DVD themselves (are you listening HBO?)
No.
Another issue with the Korean version is that they cut out the entire opening sequence for the show. But don't let that stop you from buying. Since this is the only version of this concert available I recommend going for it. It's great fun and seeing Olivia sing most of her hits is enjoyable. By the way, she had a bad sore throat that night but you would never know it from her performance.
I totally understand what he's getting at above. That's a total professional, one that can battle through even a mild case of malaria to deliver the goods to an audience of overly adoring fans. For some reason, moments like this always makes me remember how surprised I was to find out that Paul McCartney's "Ode to a Koala Bear" was not a number one single.
So how about some video, huh?
Let's get to it!
If I were to re-shoot the above video today, the entire band would be playing keytars.
Okay, one more review bit, this time from Bubbles:
I saw this concert on tv when I was in my teens and as a huge ONJ, I loved it. As an adult, watching this DVD, I still love it. I felt as though I was in my teens again. The songs are great, Olivia looked and sounded fantastic. The only thing that I was disappointed about then and now is that when she sings You're the One that I Want (from Grease), it is not with John Travolta. The guy that she sings it with is just ok but I don't care for him too much. Specifically, not for that song. He's talented but he's not John. This is a great DVD, however, the subtitles can get a bit annoying. Fortunately, I have been able to look past them.
Whoa. Hold the chalupa.
You're telling me that Travolta didn't show up for every ONJ tour date in the 80s?
That is a damn outrage.
I might just watch old Donny Osmond videos instead.
Sing it with me!
Like a thief in the night, who can't get enough,
I am willing to fight,
'cause I'm a soldier of love.
Like a shot in the dark when the going gets rough,
I'ts a state of the heart
when you're a soldier of love.
I feel rejuvenated and ready to take a chance again.
I'm going to buy this DVD, and watch it this weekend as a double header back to back with Stevie Nicks: Live at Red Rocks.

Who's with me?
Hey, where are you guys going?
CommentsSetlist: Dennis DeYoung/Survivor – Clay’s Park – 7/17/09
Written by: Matt Wardlaw
The classic rock themed Rock N Resort festival, located at Clay's Park in nearby North Lawrence, OH, has been on my list for a few years now to check out with at least one band of interest on the bill each year. Now in its sixth year, this year's festival had quite a few names of interest, with former Styx lead singer Dennis DeYoung and Survivor sitting at the top of the list.
Luckily enough, both acts were playing on the same night, and good friend Chris Akin had several passes to check out the action, and thus our mid-July Friday night plans were set. As is usually the case on any day that I know that I will be spending the evening outdoors, it rained hard for most of the day, so I knew that mud would be a part of the evening's activities.
Despite thinking of it, I managed to get out to Clay's Park without a folding chair, no surprise to those of you that have read my previous concert updates this summer. I've got like six of them now, and after last night, I will be putting one in the car so that I am covered for nights like this one, populated with a sea of similar folding chairs.
I'll give Brian a moment now to stop his snickering about the previous. Ya done? Okay then....
The mid-90s reunion of Dennis DeYoung and Styx is one of those reunions that I should have gone to. I had several opportunities, and as someone that was too young to have seen the original Styx back in the day, it was definitely something that I wanted to see. Other things took priority, and by the end of the 90s, my opportunity had come and gone. While I've seen Styx without DeYoung several times since then, and enjoy the harder rocking Tommy Shaw led version quite a bit, there are a number of DeYoung tunes that they don't play - "Don't Let It End," to name one.
So what is Dennis DeYoung up to these days, anyway? DeYoung has been touring again in recent years, releasing a live collection in 2004 that collects nicely many of DeYoung's finest tracks, covering his career both solo and with Styx, backed by a symphony orchestra. The collection rocks more than you would expect from DeYoung, or your typical symphonic live record.

In 2007, DeYoung released a new studio album, 100 Years From Now in Canada, a collection that promised and mostly delivered the return of a more rockin' Dennis DeYoung. DeYoung scored a surprise hit in Canada with the title track, and the album was finally released here in the United States earlier this year with a couple of new tracks added, via Rounder Records.
For the Clay's Park gig, DeYoung was backed by a band featuring longtime guitarist Tommy Dziallo (incidentally, the guitarist who played on DeYoung's 80s solo hit "Desert Moon,") guitarist Jimmy Leahey (John Waite, etc) bassist Hank Horton, keyboard player John Blasucci, and drummer Kyle Woodring (John Mellencamp.) After all of these years, DeYoung's vocals still sound brilliantly perfect and were on fine display from the opening moments of "Grand Illusion," which segued immediately into another Styx favorite, "Lady." Of immediate interest were the amount of people in attendance seeing their first Dennis DeYoung show, something which caught DeYoung by surprise. DeYoung quipped "I'm 62 years old, where the hell have you all been all of these years?"
After seeing several Styx shows, where there is no mention of DeYoung, it was interesting to see the reverse behavior from DeYoung, who made frequent reference to his former band, and made note of songs that he wrote and sang, that "you can only hear by coming to see one of my shows," a line used as part of the intro for "Castle Walls" from The Grand Illusion album.
Proving that we remain total opposites musically in many areas, "Don't Let It End" and "Desert Moon" were two of my favorites that I was looking forward to hearing. Meanwhile, those same two tracks are at the top of the list for Chris on his personal list of DeYoung tracks he likes the least. The latter track featured an extended guitar jam that was a bit much, even for my taste, and yet it felt right in the nighttime air at Clay's Park, which was chilly to the point that we were questioning whether it was really July.
As the guy voted most likely not to rock if given the choice, during his time in Styx, DeYoung's set was surprisingly uptempo for the bulk of the set. There were no real setlist surprises for anyone that has the previously mentioned live album, but nuggets like "Light Up" and "Suite Madame Blue" are a nice surprise for anyone that might have shown up expecting only the hits. And the fact that DeYoung's voice still delivers crystal-clear renditions of all of the songs that you remember, completes the package for a perfectly enjoyable evening of rock and roll. Accessorized with an excellent band, DeYoung delivered a great performance despite a sound mix that was often questionable. I'd love to see DeYoung back with Styx for one more go-around, but if that never happens, I'm content having seen a great gig that hit most of the marks.
One more important note - "Mr. Roboto" was in the setlist, no surprise there, but what was a surprise was to get a rendition complete with robot dance moves AND to the unexpected horror of Chris, the accompanying mask as well! We may never be the same after witnessing this.
Survivor, with newish lead singer Robin McAuley (ex-McAuley-Schenker Group) on vocals, opened the evening with an hour's worth of hits, a couple of deep tracks, and at least one setlist headscratcher. Guitarist Frankie Sullivan is the only remaining original member, along with (nearly) original drummer Marc Droubay (who joined in 1981) as the two recognizable faces in the lineup. With McAuley, the band finally have a singer that can handle both the Dave Bickler and Jimi Jamison vocal eras of Survivor with ease. Jamison himself, never sang his own hits as well live as McAuley sings them now, in the original key. This is the second time that I've seen Survivor with McAuley, and the Vital Signs opener "First Night" still sounds a bit awkwardly Scorpions-like vocally, but McAuley had the Clay's Park crowd easily in his hand from moment one.
Droubay is one of the hardest hitting drummers you'll see in the classic rock world, something that caught me a bit by surprise when I saw the band for the first time last summer. Unfortunately, the sound mix didn't do Droubay (or Survivor period) justice tonight, but the crowd were already feeling good enough that I doubt any of them noticed.
That is the thing with a festival atmosphere like this one - as long as the band can play the hits and make them sound at least a little bit like the originals, it's an easy win in front of an alcohol fueled audience that isn't likely to be the harshest bunch of critics that you've ever played for. The crowd was the usual mix that you might expect of inappropriate flesh on display, plenty of tramp stamps, the occasional Hulkamania t-shirt (okay just one, actually,) and.....a parrot?

Chalk that up as one of the oddest things I've ever seen at a concert.
And then there is the unplanned interaction with the crowd around you - huge points to the guy conversing with us before the show that was "end of the night drunk" before Survivor even played their first note. After "High on You," Chris made the comment "alright let's go, bring on the good stuff!"
"Yeah! Like Eye of the Tiger!" was the animated yet absolutely serious reply from the seemingly completely sober female nearby.
Uh, no.
This is the same type of person that worries that Night Ranger isn't going to play "Sister Christian." I'm thinking that for fun, perhaps I'll go to the next classic rock show and hand out setlists to every person around me. Just to be nice, ya know?
Having followed Survivor setlists for quite a while through the years, I am slightly surprised by some of the songs that they pull out - "Somewhere in America" from Survivor, "Burning Bridges" from Too Hot To Sleep, and also by the songs that aren't in the setlist? Top Ten hit "Is This Love" is the omission that surprises me the most, and I'd also like to hear "How Much Love" or ANYTHING off of the When Seconds Count album. The Caught In The Game album went completely unrepresented in the night's set, and overall the setlist was relatively light on Dave Bickler-era material. As a fan of both eras, I'd love to see at least one more choice Bickler cut in the setlist.
The 38 Special hit "Rockin' Into The Night," co-written by Sullivan and former co-writer/Survivor member Jim Peterik, was in the setlist and while it was instantly recognizable to the crowd, it feels unnecessary - Survivor have enough hits in their catalog, that they shouldn't have to do what ultimately feels like "padding" the setlist.
And just one more gripe, as a non-keyboard player: Is it really THAT hard to get the right keyboard samples that sound like the original recordings? That always drives me nuts, and yet I am impressed when I actually see a band that apparently took the time to get it right.
Overall, DeYoung and Survivor provided a night of rock and roll bliss for campers on the opening night of a three day weekend that will include sets from (fake) Asia featuring John Payne, and Kansas tonight. 38 Special and Canned Heat will close out the three day festival on Sunday night.
I'm glad we finally made the trip out to Clay's Park for Rock N Resort - it was an undeniably fun evening of music and plenty of people watching. An event like this is the perfect excuse for someone to let their freak flag fly, and Friday night, there were plenty that did just that.
Speaking of Survivor:
While we're talking about Survivor, I should let you know that former lead singer Jimi Jamison has a great new album out called Crossroads Moment. Depending on your viewpoint, it's either the album that Survivor should have made after Too Hot To Sleep (an album I didn't like,) or in my opinion, the album that they should have made after When Seconds Count. The album reunites Jamison with former Survivor bandmate Jim Peterik in the recording studio for the first time since that Too Hot To Sleep album in 1988. Peterik wrote all of the songs for the release, and it's the best batch of songs from both Peterik and Jamison in years.
When the album was initially released last year, it didn't really grab me, until I read the following piece at Popdose, which made me wonder if I had missed something. Upon giving the album another listen, I finally got it. I'm not sure why I didn't like this one on the first go-around, because it's absolutely fantastic!
Meanwhile, Jamison and fellow former Survivor lead singer Dave Bickler shared the stage for an unusual event recently - The pair performed at Sony A&R man Jeremy Holiday's wedding, performing four Survivor classics - "The Search Is Over," "I Can't Hold Back," "High On You," and (of course) "Eye Of The Tiger." Jim Peterik recorded two tracks for the occasion - a version of the Survivor album classic "Ever Since The World Began," and another track called "Forever In A Day." The two tracks were given away on CD by the couple as a gift to all of the guests in attendance.
The full writeup on the above interesting performance is here, and something interesting of note - this is not the first time that Peterik has done something classy involving "Ever Since The World Began." Click here and read a great story from Popdose writer Rob Smith, who tells the story of how "Ever Since The World Began" was involved in his special day.
As a longtime Survivor fan, I love that Jamison, Bickler, and Peterik are all working together these days. They've already shared the stage together as part of one of Peterik's World Stage gigs, and I'd love to see the trio do some more live work in the future. And perhaps we can even get an album of material out of Dave Bickler, something that is long overdue!
Wrapping up and getting back to where we started from, here are both of the setlists from last night's gig.
Dennis DeYoung setlist:
Grand Illusion
Lady
Loralei
Don't Let It End
Light Up
Mr. Roboto
100 Years From Now
Desert Moon
Castle Walls
Rockin' The Paradise
Suite Madame Blue
Babe
Best of Times
Come Sail Away
Survivor setlist:
First Night
Burning Heart
Broken Promises
Poor Man's Son
High On You
Rockin' Into The Night (38 Special "cover")
The Search Is Over
Burning Bridges
Somewhere In America
I Can't Hold Back
encore:
Eye of the Tiger
CommentsYou can call me Rob Gordon…
Written by: Kurt Torster

For a few years in the mid to late 80s I was part of the record store culture. And, if you ever worked music retail you know that High Fidelity wasn’t too far off the mark when it came to pegging us music geeks.
From early 1986 to late 1987, I worked at a rather odd, almost cult like store in Wayne, NJ. While Disc-o-mat was a chain, it ran more like an indie store because of the eclecticism of both the employees and the people who shopped there like it was their religion. Some 20 years on, I still miss some of those people and always wondered what became of them, though a couple of guys I do know what happened to traded New Jersey for the California shores as and released a little hit, "Anything Anything".
I fell into the job by accident actually. The store was a favorite haunt of mine and holds a special place as my first stop after I got my driver’s license. I drove myself, first time alone no less, over to that West Belt Mall and proceeded to buy Night Ranger’s Midnight Madness, Survivor’s Vital Signs and Ratt’s Out Of The Cellar on cassette. That first stop would be far from my last as weekly visits helped me amass quite the music collection and the familiarity of some of the staff I befriended. Turned out on one visit there was a help wanted sign at the register the day I went in to purchase Van Halen’s “Why Can’t This Be Love” 45. The lengthy discussion with the cashier might have been one of the first of many Dave versus Sammy arguments that would follow my life. But, I did walk out of there with both the album and a new job.
(Oh, and for the record, not much can touch the early Dave years of Van Halen but I’m not going to be snobbish enough and deny that the band also recorded a lot of great material with Hagar.)
Over the next two years I would go from sarcastic loner to sarcastic extrovert as I feel like I finally belonged. These were my people! Everyone I worked with had a passion for the music, their music. While not a day went by where there wasn’t 2 or 3 arguments about what to flip on the turntables (long before the days of piped in satellite radio), in the end a lot of what you didn’t want to hear initially became favorites of a new sort. I started my musical journey from my own tastes of Rush and Journey and left with an appreciation of The Cure, the lost years of David Bowie and even Run DMC among many others. Admittedly, I still can’t get a grip on the Smiths and if I ever hear someone sing, “some girls mothers are bigger than other girls mothers,” again I just may hurt them regardless of how big their mother is.
I would go on from there to work in a few more record stores over the years until finally getting a “real job,” but none I’ve had since can match the sheer sense of fulfillment I had in my life of doing something I truly loved.
Nowadays, record stores are practically extinct. Music departments in places like Best Buy or Target have been reduced to barely an aisle or two. In a way I feel bad for the youth of today and not ever knowing the feeling of just going into a store to simply browse album covers, wonder if it’s worth taking a chance on a band like Aviator, simply because the producer worked on other favorites of yours (and having back cover showing a bunch of long haired dudes usually helped). That sense of discovery just can’t be the same clicking and sampling through iTunes or MySpace. At least it’s not for me. Of course, there's something to be said for actual ownership of the music, the pouring over liner notes...reading every last thank you and lyric, and even remembering the days when Kiss used to include a poster or a "love gun" with their album. PDF booklet? Pft!
These social centers have all but disappeared, leaving us music geeks to write blogs, troll forums and go back to being introverts...present company excluded obviously.
CommentsRadio Ga Ga Saved My Life Tonight
Written by: Kurt Torster
When I was a kid, up until about the age of eleven, we moved around a lot. My father’s engineering job took us to such exotic locales as Port Huron, Michigan and Norcross, Georgia. It also dumped us in Wiesbaden, Germany for about 8 months in 1976/1977. Seeing as how I didn’t really speak the native tongue, an AM radio became my best friend.
I didn’t listen to any of the German stations, maybe short of spinning the dial to see what was on. No, I fixated on the Armed Forces Radio, and more specifically, Casey Kasem’s American Top 40 weekly countdown. This is probably where my chart obsession began. I would write down the countdown weekly and create my own personal charts, ranking my favorites to see how they would compare to the real thing. This also may have been where I picked up my uncanny knack for calling out a hit long before sometimes it’s even released as a single. [I’m calling it now: Shinedown’s “If You Only Knew” is going to be a MONSTER.]
Bands like Electric Light Orchestra, Pilot, Jigsaw and even Abba felt like best friends. To this day their songs still bring a reminiscent smile to my face and have become sort of a musical comfort food for when I’m moody. Seriously, you try being in a bad mood jamming to something like “Sky High” or “S. O. S.” I’m sure this also has a lot to do with my undying love of 70’s AM Gold and how every time the Time/Life infomercial comes on for any number of their collections, I’m hooked for a good half hour. Can any one go wrong with Redbone?

When we returned to the US, I started to buy my own music. I still have some of those early 45’s that I used to buy at a local store in NJ for .79 cents (though warped from sitting in a hot attic for many years). Oddly enough, the B-sides grabbed my attention as much as the single itself and as I grew older, albums and those deeper tracks became a weird sort of journey of discovery. For every “Photograph” I was as equally a fan of “Stagefright” (both from Def Leppard’s “Pyromania” in case I lost you). And, when I discovered import singles from the UK and their non-album track B-sides, I was in musical nirvana.
Those album cuts became even more important in my high school days as I discovered the art of the mix tape. There was always something very therapeutic about putting one together, making sure you get it JUST right, then taking it out for a cruise. Sometimes you wouldn’t know if a mix even worked or not until you listened to it a few times.
I was also a geek enough musically that I used mix tapes to make friends, both of the platonic and romantic kinds. Sometimes I wonder if those extra-special tapes that escaped my “studio” are still out there somewhere, waiting to rear their embarrassing heads.
While I still follow the charts, radio is now such a morass of overplayed tunes, over processed DJs and so much advertising clatter than I cannot imagine a life without my iPods. Yep, plural. I own two actually. A 16gb iPod Touch that holds all my recent music and an 80gb iPod Classic that holds everything else (actually, decades of chart tunes organized with the help of books from Joel Whitburn). When you throw the iTunes Genius feature in, it’s like someone is personally programming a radio station just for you.
About the only time I ever listen to radio anymore is when it’s out of my control. This is about all the confirmation I need that radio is as bad as I remember it. Just this past weekend I was subjected to the same Lady Gaga song six times in the span of six hours. That’s a lot of “P-p-p-p-p-p-p-poker Faces.”
It’s unfortunate that something that used to mean so much to me has became so irrelevant to my life.
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